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Genomic data is transformed into a vibrant botanical network, where each tulip-shaped silhouette blooms with actual DNA sequences—strings of nucleotides (ATGC) that form the molecular blueprint of life. The piece visualizes genetic information not as clinical laboratory data but as living, interconnected networks that mirror organic growth patterns, with colorful tulip forms scattered across the canvas, evoking both a spring garden and a data constellation. Tulip Protocolor represents a new visual language where the ancient code of DNA becomes a contemporary network visualization, inviting viewers to see genomic research through a lens of natural wonder—where the microscopic machinery of heredity transforms into a garden of infinite genetic possibility.

TULIP PROTOCOLOR

When the ivory-billed woodpecker was removed from the endangered species list in the 1960s, it did not represent good news; the species was thought to have gone extinct. The last official sighting of a member of the Cuban subpopulation was in 1986. The bird was “rediscovered” in the Big Woods region of eastern Arkansas in 2004, though identification of individuals sighted is the subject of debate among ornithologists. The largest contributor to the collapse of the ivory-billed woodpecker was habitat fragmentation and loss. The bird once occupied forest from southern Florida to Ohio, much of which was lost to logging; this habitat loss is represented by the cypress tree fragments in my collage. In my depiction of the species, also known as “the lord g-d bird” or “the ghost bird,” I appropriate the well-known Audubon illustration (circa 1830) but show it in partial form as if the illustration itself is disappearing. Line drawings of the bird also show partial states of being; connect the dots and paint-by-numbers further illustrate the demise of what was once the largest species of woodpecker in the New World.

NO LONGER EXTINCT

Arab and European Illustration of Experiments with Ampoules

Different types of scientific illustration is played with in this collage. Electricity was the craze of the eighteenth century. Thrilling experiments became forms of polite entertainment for ladies and gentlemen who enjoyed feeling sparks, shocks and attractions on their bodies. Popular lecturers designed demonstrations that were performed in darkened salons to increase the spectacle of the so-called electric fire. The Arab example does not include representations of people and relies on depictions of the instruments.


WORKS

TULIP PROTOCOLOR TULIP PROTOCOLOR
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TULIP PROTOCOLOR
$5,000.00

ANNA FINE FOER

2026

COLLAGE

22.5 IN. × 30 in.

$5,000.00 USD

Arab and European Illustration of Experiments with Ampoules Arab and European Illustration of Experiments with Ampoules
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Arab and European Illustration of Experiments with Ampoules
$3,600.00

ANNA FINE FOER

2018

Collage

18 IN. × 22.5 in.

$3,600.00 USD

No Longer Extinct No Longer Extinct
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No Longer Extinct
$4,000.00

ANNA FINE FOER

2022

collage, watercolour, gouache, coloured pencil, marker

22 IN. × 18 in.

$4,00.00 USD